This post, you’ll notice is not generally in line with my typical posts here, which is good, in my opinion, I’m trying to open up the content, be more… honest, I suppose.

Tonight I’m overwhelmed. I’ve spent all afternoon working on three electro-cello tracks, and that is fine, only to realize that I have a huge pile of work I’ve already recorded just waiting for me to sort it out. I’ve probably got 25 pieces at least partly recorded for that album. And that’s the problem… partly is the key word. Sorting through them is like going into an old storage unit full of stuff. Some of it is really cool, but doesn’t quite fit into your life now. Some of it you can’t let go of, but never get around to dealing with.

And on top of that, I have probably 15 songs partly recorded for my other albums. Three are done. Three. That’s it!

It’s daunting to be working on new albums again. I’m sure most artists go through this, but after you finish your last one you forget that that isn’t… it. You always push out more.

New albums breathe new life into my purpose, both musically and professionally. I get that drive to get this music out there the more it gets actually finished. So I suppose I’m pushing for a finished record that I can get behind and give what it deserves now that I am in such a crazy city, where crazy things happen.

So… overwhelmed in a good way. Too much material… there are worse things to complain about certainly!

So I don’t know about you but spring 2009 has been crazy!

So much going on and I will indeed spare you the details, despite the fact that this is a blog.

What I want to tell you:

2 big shows this week
April 18 & St. Joseph’s Hall, a 20 minute set of my new stuff, a benefit for a libraries in Africa, Moore Brothers, Molly from Huff This!, food, dancing, a great event.

Facebook Event Page for Books Across The Water

PS – Why not become my fan on facebook if you’re reading this? Click here.

Then, on the 24th, the eagerly awaited record release for Aaron Ross & The Heirs Of Mystery, of which I’m an heir. Also at St. Joseph’s. Facebook event page here.

Albums: yes they are not done. They will be done for my friends by mid April like I had hoped, but for the public, I am simply going to have to let it ride until I get back from the Azore Islands, where I’ll be for the month of May.

Which means I may not be posting much in May!

Just thought I’d let you know… thanks for stopping by!

Spring is opening up around here and this strange hanging winter will be passed. That’s good! It’s been productive though, I will admit.

I’ve been mixing the tracks on “Redwood Summer” that have drums. Make the kick drum big, make the cellos up front. Make the guitars ring out. Make the voice sound alright.

I like the initial results I’ve been getting from some very rudimentary but helpful tips (rolling off the low end of instruments that don’t carry low end, for example). It’s never been my forte, mixing. Unfortunately it is possibly the most important part of the process. Good albums just FEEL right. That’s mixing. And mastering. I hope I can afford to master these!

The good news is is that the instrument set I’m using for all these is similar. So, in most cases, once I find a cello “sound” that feels right, I can apply it to all these albums.

Also I’m shying away from effects. Maybe here and there, I’ve always loved some weird aspect in the sound, but, I’m finally beginning to appreciate the sound of the room it was recorded in, as opposed to “gothic cathedral” reverb setting.

I’ll post a remix here soon, so that you can hear what is happening…

Thanks for stopping by!

Signals

The albums are coming along. I had the pleasure of recording some drums with Molly from Huff This!. She adds such a rock sound to the tracks. It’s perfect for the feel of the album.

So here is a more rounded out version of the song I posted a few weeks ago. This is the sample of the more rock, acoustic guitars and cello based album I’m calling ‘Redwood Summer’. Enjoy!

Remember the earlier version of this song?

Here is my sample from the electro-cello album tentatively called ‘Half Moon’. It’s the stuff I’ve been playing live lately.

Here is a sample of my all cello instrumental album, as yet un-named.

Here is where the electronic-instrumental album will be coming from.

REVERIES
REVERIES
Fever Saved Me... Let It Save You
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Live Oct. 24 - GVCFA 

This has been one of those clusters of time where big things happen and there isn’t really even a way to gauge how much it impacted. To see Barack Obama elected was something I never thought I’d witness in my youthful days, and not for the reasons the media is obsessed with. I know it meant a lot to me to see this, as halfway through the minute after MSNBC announced he had won I was calling all my family quite emotional. That happened. It was beautiful.

Now here in the whirlpool or resilient aftermath, whatever it’s called. Things have been quaking a bit. I’m listening to old music and catching up on some long overdue chores, generally putting things into categories and then evaluating each and every one. Like: for instance: music. The album of songs I’ve been playing live is getting to the point of “ok, well, let’s put it out!”… though I’d like to have a sudden revelation and record another song or two with it. The other albums are floundering, and have taken far too long to put together. But it’s all organization at this point… a lot of the material is there… just waiting to be shaped up.

And then there is Aaron Ross’ new project, The Heirs Of Mystery. That album is almost done. A trio: Aaron singing playing guitar, Cody Feiler on electric guitar and backup vocals, me on cello and backup vocals. It’s a fun mix, it’s a good mix, it’s the kind of mix that doesn’t happen often, musically or personally… I really admire and respect those guys on all levels and I think that what we end up putting out, such as this last Sunday at the Crazy Horse Saloon in downtown Nevada City, while the sweaty pre-election crowd sat waitingwise under the redlights hearing for the first time… I think it is good. It is good music.

So tomorrow evening downtown Nevada City again, playing cello for an art opening at the Mekka… will be an interesting thing… fun I hope. And lately that’s what I mean, just a constant waterfall of these types of opportunities, crossing paths with really cool people. Nevada City has opened a bit, and yet…

now winter is upon us in it’s own way

and who knows… I just feel that of course, as always, as usual, it is not enough to be sitting here waiting for the next page to turn, waiting for the blind spot to become defogged, and perhaps even waiting for some approval to crop up out of the ether, because you know, we all want that. And, as it is shown, we are all getting there, older, and wiser, and closer to our fate, whatever it may be.

So, in short, things roll forward. I’m moving this more into journal form again by the way. I don’t really mind if it offends anyone that I shall tell of my days and nights and life in a truly vain manner on these pages. It’s what it is. I don’t need no excuses…

“The darkness has got the best of us… there’s a darkness in this town that’s got us too…
they can’t touch me now… you can’t touch me now… they aint goin’ to do to me what I watched them do to you… ” – Independence Day you should know perhaps who by

So yes, thanks in the air, the full fall leaves weighting down just enough. Enough passing by in a blur to become one with each exhale, the days. The sharpness of breath, the long-ness of the night. The books to read, the family to see, the projects to complete. The holy arena of reflection. It always happens, thank goodness.

Ambition is the answer to the vanity that tears me apart. I know I want to do more, and I believe that it will come about, the restless dreams of each and every night meaning something, meaning that indeed there is meaning. Simple tasks like homework pull me into two halves, the perfectly numb and the perfectly distraught. That’s where I’m at… You?

No, I haven’t been drinking. I just get this from the crisp air, from being on the cusp of change. From being a part of this second that said: write.