Tag: mastering

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I’ve been in this weird place in life right now where things are moving at light speed forward and days are busy and full, and also where, with my music, I am working countless hours and making seemingly no progress at all.

That happens. I wonder, I really do, if it is me procrastinating subconsciously on wrapping up new albums. It really is a scary thing… once you’re done it’s like… ok: does you likey? what should I work on now?

My thing is mixing. Mixing is when you put all the instruments together at a reasonable volume AND you somehow make it exciting AND you make it sound good on ALL stereos/headphones/cars. It’s not an easy feat and amazingly talented people make a living just doing that end of things. Paying a professional is a little pricey for me though, sadly. So sadly.

I would love nothing more than to take these tracks and send them off to someone to mix and master for me if for no other reason that tragically I get really really sick of these songs by the time I release an album. It’s not that they aren’t good songs, it’s that if they are I wouldn’t know.

Hearing them literally hundreds of times takes the excitement of what’s around the corner out of it. And I think that that is music’s big shazam, surprise, like comedy. Even if you’ve heard OK Computer 673 times, there’s a pretty good chance that you forgot how the tone of that guitar just makes sense for that solo, even though it shouldn’t. Something like that. Or is Caravan before or after Into The Mystic. Etc.

So today though it’s back to the grindstone. Honestly it would be a lot easier to mix my own material if I weren’t so addicted to bass. I listen to a lot of heavy low end music, not at all the more acoustic music I’m mixing. I cannot get enough bass. But too much bass drowns out the high end and it all sounds like mud.

I’ve been guilty of this bass addiction with pretty much every album I’ve ever released. This time I think I might try the recommended balance of things. That’s ok. It’s like following a recipe instead of (my preferred) throwing whatever you have in the kitchen together “artfully”. Recipe seems boring but could be the most amazing. Regardless it probably won’t be a disappointment. Intuitive kitchen-ing? Yeah. That can fail miserably.

I do not subscribe to this belief for songwriting though. No no no. The kitchen of songwriting (for me, don’t mind/care what others do) is not a place for cookbooks. Never ever. Maybe that’s why I’m so well known!

Yeah, I mean, the formula for big pop songs really works. But I just can’t help but feel that it is… not my thing to follow a song formula. And that’s a specific take on the process. The whole songwriter genre is a relatively new thing, but I do believe in it. That one person’s take on creating something is worth the tunneling required to follow/get there.

Well. There you have it.

So here’s the plan:

Finish mixing

Give you some pieces of the album along the way the next few months

Tour and see you and play

Repeat

Bye!

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Aaron Ross & The Heirs Of Mystery

I’ve been working with Aaron Ross & Cody Feiler for the past 9 months, first recording an album, then playing lots of shows from Portland to the Bay Area.

Last night Dana from Station To Station put the final touches mastering the album we began recording last labor day weekend.

I’m happy to say it sounds great, and we’re looking forward to getting it out into the world. We’ll have some copies available at our CD Release/Benefit for St. Joe’s on April 24th.

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Spring is opening up around here and this strange hanging winter will be passed. That’s good! It’s been productive though, I will admit.

I’ve been mixing the tracks on “Redwood Summer” that have drums. Make the kick drum big, make the cellos up front. Make the guitars ring out. Make the voice sound alright.

I like the initial results I’ve been getting from some very rudimentary but helpful tips (rolling off the low end of instruments that don’t carry low end, for example). It’s never been my forte, mixing. Unfortunately it is possibly the most important part of the process. Good albums just FEEL right. That’s mixing. And mastering. I hope I can afford to master these!

The good news is is that the instrument set I’m using for all these is similar. So, in most cases, once I find a cello “sound” that feels right, I can apply it to all these albums.

Also I’m shying away from effects. Maybe here and there, I’ve always loved some weird aspect in the sound, but, I’m finally beginning to appreciate the sound of the room it was recorded in, as opposed to “gothic cathedral” reverb setting.

I’ll post a remix here soon, so that you can hear what is happening…

Thanks for stopping by!