a little less of this

a little less of that

a little bit missed

a little wit

a little

REVERIES
REVERIES
REVERIES 25 #37 "lessening"
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a way through

not to you

to me

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REVERIES
REVERIES 24 #95 "forest path"
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a getting slow

a settling snow

the endlessness of endless emotion gets full

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REVERIES
REVERIES 22 #39 "a letting go"
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one idea
leads to another
then
wash it all away

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REVERIES
REVERIES 19 #18 "chambers"



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all too
shall pass

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REVERIES
REVERIES 18 #61 "cahuenga"



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oh
to go
to a place
where i can
could
sit on a hill
playing mandolin forever
never out of tune
maybe a delay pedal too

REVERIES
REVERIES
REVERIES 18 #43 "blending into the sky"



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what can i say all
or none?
what can i say tho
me or thee
free or

want to
disappear
into shared space
with noone

REVERIES
REVERIES
REVERIES 18 #29 "stand up please"



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wandering around

my mandolin

life puts us in paths we don’t even know them right? invisible lines

can’t choose no matter how tracked

 

REVERIES
REVERIES
reveries #91 "meandering"



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let her

go

her way

go your way

REVERIES
REVERIES
reveries #73 "let her"



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oh
so much
too much
to take
in
how much
can you take
take in
take
it sits
there
it hits you
there

REVERIES
REVERIES
reveries #28 "gut"



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trail
up the mountain
inside
and
memory
who
you
and
me
trail up the
hill
inside
and
totally
free
who
you
me
let’s
let
go
and get
up this
trail
hill

REVERIES
REVERIES
reveries #22 "ttrails"



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I need to get a good mandolin or fix this ancient one or maybe put strings on it for the first time ever (probably maybe has not had new strings in 40 years) because it’s tuned the same way as a cello (fifths) so I can read sheet music and play along without hating everything. I like this Bach movement the best. From the suites, number 3.

REVERIES
REVERIES
#musiceveryday 83 - Sarabande On An Old Mandolin



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And obviously. This one, hard to believe, was very close to making it onto REDWOOD SUMMER. I like it. I was playing around polyrhythms, where you have different rhythmic times all stacked up on top of eachother. A lot of African music gets crazy with polyrhythms.

I used weird instruments on this one, one in particular called a ukelin. It’s this very odd looking beast, which mysteriously was given to me by my physics teacher in high school. I can’t even really explain why h would just give me such a gem, and why it was given to me by my physics teacher and not my music teacher, but I’m not complaining. It has like 300 strings. Ok, it has like 60 strings. I haven’t ever figured out how one is supposed to tune it, let alone play it.

The other instrument you hear is a mandolin. And frame drums. And weird lyrics (per usual).

It didn’t make it to REDWOOD SUMMER because it didn’t fit. The album is kind of all over the map emotionally as it is, I didn’t feel like “super whimsical” was what was needed to be added.

So yes, enjoy. Thank you for stopping by. And happy holidays. Oh yes, I forgot, that is the reason I went ahead and published this now. It could, in some parallel universe, or exotic country, or in your stereo perhaps be some type of holiday song somehow. It has the timber, I suppose.

Stardust Is Stardust

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