it’s the best worst best worst best worst best I can do

it’s like when you are a winner and you know and you just go

not that

REVERIES
REVERIES
REVERIES 24 #74 "at least i tried"
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contemplate it, if you know what I mean

if you know how to dance with the big machine

contemplate it and let me know

if you know how to wrassle in the rodeo

REVERIES
REVERIES
REVERIES 24 #43 "el voido"
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am always wanting to mark this apex

in a way

that is

as though

reverb of light

echo of light

trailing light

can traverse through

next

I never manage the right reverence though

I can’t fling things forward

except to hope

and hope is not light

hope is probably made of light

but it isn’t light

REVERIES
REVERIES
REVERIES #37 "solar solstice"
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sometimes these are a way of me correcting trends

like, i always want to make art

but i don’t

and feel like i can’t

and also who cares what i call art in my  own head

you know, i just want to be able to make things that make me feel like that i’m not just laying on the floor staring at the ceiling

REVERIES
REVERIES
REVERIES 20 #14 "find me when i'm sleeping"



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where you runnin to
there sunny
in the light
in the clouds
with the withall
to be without

where you going to
leave your window
open
let all the light through
wish and wish
perfect blue

REVERIES
REVERIES
reveries 18 #25 "fugitive"



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I had the honor of working on the soundtrack for “You Follow”, a story about a woman who goes to find out about her past in India. The main character does a lot of searching and I composed this piece to be her (Nisha) theme. It was a fun and interesting project and I’m excited to go see the opening screening tonight(!)…

REVERIES
REVERIES
Film Music: Nisha's Theme



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