Last night Santa Cruz was partied by us, and it was fun, and it was more than partying too, because there was music. Victor Kenyon, the other Victor (sorry man, I don’t remember the last name), Cliff Greenwood (with Miles), and I played. OK, it was in a college house, and college kids were there, and it was fun. It was a bit chaotic in some ways, but everyone one was there in one form or another to enjoy the music, at least while the music was going.

I remember looking up the few times during my set that I wasn’t sort of sweating/and or closing my eyes and there was this room packed with people and they were all hell of into it. The arrival of my brother Pete’s friends definitely made the party climb to a new level, and the comraderie in general made it so much more than a normal show.

Then, as parties tend to do, especially when big, it went into decline. This whole crew of young ‘gangster’ kids showed up, and kind of randomly crashed the party. This is a regular state of party life in Santa Cruz. It was just kind of out of control, and it wasn’t like this new group of thirty or so high schoolers were adding anything particularly cool to the scene, so they were asked to leave. A couple, one in particular, refused to leave on the basis that he was “from here”, meaning Santa Cruz.

The locals vs. college students thing. I mean, first off, it is … dumb. I remember living there and finding out that certain beaches were “locals only”, (but it applied more to surfing in theory). Whatever. And as much as I want to write it off, I think on how in Mendocino, Portland, even here in Nevada City, there is this xenophobia that arises… though xenophobia doesn’t quite sum it ALL up… the sense of ‘being from’ somewhere is obviously very strong, and it is easy to say “dumb tourists, they are always driving funny and are in my way”, or, “wow I am really FROM Portland now since I am completely stoic and cold (something like that)”. I mean, the Ukiah connection. Strong. So, I can… understand where its coming from to some extent, but, if anything it reminds me that it is certainly not something to get in fighting mode over per se.

Anyways, the party was really cool, the music was fun to watch and to play, and I can only thank my brothers Nate and Sam (and housemates, including the yorkiepoo) not enough. They are awesome and rule. Effing slugs.

I had an amazing weekend and one of the many highlights was getting to meet Gary Snyder. Gary Snyder is a poet who literally changed my life, especially from his book, I believe maybe his first, “The Back Country”. I was into Buddhism and reading the Beats and this book just knocked me down. Ever since he has been a certain standard and guideline for how I live my life, that is, hopefully: full of integrity, open to adventure, adamant about the experience of solitude and nature… well what it boils down to is just… aware, open eyed, real.

So I got to accompany Laura Brown, a reporter for The Union in Grass Valley on an interview. He was fantastic, amiable, and favoritely for me, down to earth. He didn’t seem to want to talk about ethereal things so much as he wanted to discuss “The Real Work”, of forestry, wildlife corridors, millions of years of geology.

So for my life this was truly a wildest wish fulfilled, to have him make me a cup of coffee, and to be sitting across the table from me talking about the San Juan Ridge and the Yuba River.

Last weekend I got to play at the big church room of St. Joseph’s. Black Bear, Casual Fog, Tahiti Pehrson (Night Court), were all amazing. The sound was great, it was fun.

Here for your amusement is a video of the first song of the set, shot by Eric Lee Dickerson (thanks man), Closure…

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On my way to working out a new song for my show at St. Joseph’s the other night, I stopped and recorded a little of the process. It may end up being called “Beware Sirens”

This song will change most likely and its just a teaser… I’d love to know if YOU think it is at all interesting…

Check it!

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This weekend oh, what was it really? Backwords in reverse, on a loop:

Into The Wild, fantastic movie, eating garden fresh stir fry with friends, riding a horse for the first time ever, show at St. Joes, Black Bear being super beautiful without commentary necessary, and of course the good feeling of the empty church room, must not forget that there was The Crazy Horse, friends, the Nevada City loneliness in the night, before then just decked out in pajamas more or less sifting through endless patterns of beats, sleep, the fantastic Howlin’ Rain, band that my favorite finger picker Joel was in by super surprise, on stage with Mariee Sioux while her audience enthralled loved, before that the Moore Brothers all perfect in harmony.

Yes and back some more and yes, whatever you might say, but I say, whatever it was, it was great.

Thanks Cody Coyote. Thanks Mariee.

Man last night was great with Mariee shining, the Moore Bros. singing, and Howlin Rain ruling. Seriously it was a fantastic show in the heart of Grass Valley and everyone was having a good time.

And tonight the big weekend culminates with Tahiti Pehrson giving a rare performance, (he is an INCREDIBLE visual artist), Casual Fog being awesomeand Black Bear also being awesome.

It shall definitely be a fun, interesting night.

Hope to see you there.

Mariee Sioux has a fantastic voice and a wonderful, natural songwriting ability. Her music flows like water, and her voice is soothing and honest, in fact gorgeous.

I won’t be playing many songs, and will be far from the highlight of the show, but you should go if you live in the Nevada City area, it will be a great show. Howlin’ Rain and The Moore Brothers also play. I haven’t heard Howlin Rain but The Moore Brothers are fantastic as well. Their harmonies are crisp and golden, and their lyrics are poetic and often staggering.

Been catching up, and practicing for this set at Cooper’s tomorrow night. Its a busy week weekend month, and I have to find a way to cram all my practicing in… I need to practice this weekend for the show at St. Joseph’s next weekend at the same time, because of the other show on Friday night with Mariee Sioux. AND! What I mean by this is that its great!! I miss playing a lot.

Also, I have decided to write new material and so that is throwing new challenges in. It should all come together, and if it doesn’t, it might seem like it does.

This track is old. I didn’t just record it. I wrote and recorded this sometime around 2000, it never made it to an album. I like the song, and I like what happened when I took a handheld tape recorder, recorded onto that while I recorded my vocals, and then played that back into a microphone for the dual vocal fuzzy effect.

Enjoy!

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Since my hard drive crashed I’ve been much more aware of preserving and saving and backing up the music that I’ve made. Sounds obvious but it’s easy to let it sit on a CD in the back of a book of CDs that you haven’t opened in five years.

So there’s this album, I made long ago, my third release as a solo musician, back in Santa Cruz, called “Still Dream”. I recorded it onto my four track, and then I had it mastered with a friend who was in the recording program. Funny thing happened though… when we were playing the four track back through the nice machines, the pitch was bumped accidentally up just a little tiny touch. And so everything I put into that album for my ears was ALL WRONG. Voice sounded squeaky and it just… wasn’t me. So now through the miracle of computery geekiness, I am taking that CD and slowing it back down to my real voice’s actual pitch. So its cool, it will be the album I have never got to hear. I’ll put some stuff up here soon!

Last night in a little corner of the world, in the original wallpaper original everything National Hotel, on the end of Broad Street before it falls off the precipice into Hwy. 20, we sat around and finished off a night. In the bar were so many musicians it was ridiculous, and after we made our way back to my apartment, crossing pine st. bridge under the moon, played piano and guitar and dusted off the keys in the process.

Todays leaves crackly underfoot, and the woodsmoke and warmth mingle in slanted light. Central valley’s fertile air blows up around, while mountain lakes sit still swarming with trout.

I’m putting up a rare early version of “Closure” here. The drums are more raw, the sound is less bass heavy, there are some miscues. But it is the song in its earlier birth. There are some things that this version has that I like that the album version doesn’t.

Let me know what YOU think!

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I have slept my sleep, catching up a little on three anxious weeks of being behind on it. And now I will walk through the damp forest for a while, thinking about what I am to decide tomorrow, about where to go from here.

Walking is the new clarity. I’ve been reading “Wanderlust” by Rebecca Solnit and it as reminded me of the effectiveness of a good wander on the mind.

Yesterday wandered from the Telegraph Hills of SF down to the maze of skyscrapers, up through China Town, through the Tenderloin as evening set in. I was contemplating my existence there. It would be nice to live there for a while.

And there is Portland, whom I know so well. Or think I know. Its piles of leaves by the urban east side gardens, Ladd’s Addition in the Rain, Pearl District revelry in the warehouse hours.

These things and more, shall I ponder.

Here we have the video for track 1 off ‘Midnight Door’ – “Closure”.

A lot of the themes of the album come across in the video, those of motion, distance, wandering. Multiple personas and 80’s head shots are addressed as well. Subliminal messages. Birds flying in slow motion. Live footage is worked in, and all in all, it is a strong beginning to the video epic that is to be the entire album.

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A few live shows coming up, this one being awesome. St. Joseph’s in Grass Valley is a beautiful old Catholic school featuring a fantastic former church as the room for live music.

I’ll be playing there November 17th with Tahiti Pehrson, Casual Fog, and Black Bear.

I-80 on the hill above Sacramento looks down on the city like it was grown of the distant earth. I wrote that line in the header of this post in a song a long time ago called “California” after returning here to its hearth land from a road trip and camping in the country, and feeling the mutant heathen pulsation of millions of cars streaming in and out of the hub of nowhere, ie. Sacramento. Which, when taken out of the metaphysical rant context is a really cool city, deep down inside. And that is where I go today. I will need ninja skills to mind my way through the dark side of the mall, where my computer will be repaired. And then I will rely heavily on psychic barriers to escape again. Then, the underworld of Mid-Town will rise around me, and I will rely on my wits to deceive the trickery of city lazedness.

Sacramento is the only city that has broken my heart, and though I am over it now, I still carry a certain spite for it.

Oh, and I really don’t like malls. Even when I am in the mood to be a consumer, and throw myself on the altar of nose hair trimmers and hair product and gucci suits, this feeling of utter dismay creeps over me long before I actually enter them. I feel as if it wouldn’t be suprising if for instances the mall itself would visually dissolve and reveal the entrance to you know where. Et cetera. For some dumb reason I could go on.

Things that are in the works:
I will have digital artwork to accompany “Midnight Door” up soon on the site.
Most importantly (for me at least) this shall include thank you’s and lyrics. And some other stuff.
The video for Closure will be up very soon, perhaps this Monday.
A couple more shows to add here, a total of 4 in November (and counting).

So thanks for continuing to check in and I apologize for flooding you with my untowards sentiments in regards to malls. Though I have a feeling you might know what I am talking about!

my website manipulating device, or computer, is dead for the time being.

If you have a computer, and you haven’t been regularly backing the entire thing (including software) up, GET ON IT! Do it now!! Because if you don’t, you will be sad and cry.

So the video for Closure thankfully is on a hard drive, and will debut next week.

Thank you, take care,

Luke

Too much good stuff and many good things of last night (Show at Cooper’s, downtown Nevada City). The air was chillier but full of howls from Casual Fog, the melodic and thrummed onslaught of Strangers Die Everyday, and the haunting and spot on poetics of Lisa Papineau.

Here we have (thanks for filming “Lee” Dickerson) one of the songs from the set, “Opulent Desires”. (This is a fairly large file at ~22mb)

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So, it turns out that the podcast only shoots out one track at a time, so for those of you subscribed to that thingy, I’m reposting the demo version of ‘Up Into The Blue’ here, since it didn’t make it to your magical downloads.

For those of you who are thinking, what exactly are you speaking of, I will repost here the commentary I made about the song below the track…:

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Here are a couple of versions of “Up Into The Blue” off of ‘Midnight Door’. The first is the album version, and the second is a rare demo cut.

Up Into The Blue is yet another song where the imagery of my Catholic upraising plays a prominent role… this idea of absolution for our wrongs in an almost whimsical way, of waiting for the holy parade pervades this song. In some sense I feel like this song is about my older brother. We were inseparable growing up, and the last verse of the song especially reflects my strong memories of being best friends, and perhaps the extend rumination at the end of the song is a meditation on the things that have changed since then… not in a bad way, just the pulse of life gets quicker, things get more confusing as you grow up. Obviously this is a fairly emotional song!

I like how the demo gives a version of the song that is a bit more whimsical and a quicker tempo. It is a very different perspective

Here are a couple of versions of “Up Into The Blue” off of ‘Midnight Door’. The first is the album version, and the second is a rare demo cut.

Up Into The Blue is yet another song where the imagery of my Catholic upraising plays a prominent role… this idea of absolution for our wrongs in an almost whimsical way, of waiting for the holy parade pervades this song. In some sense I feel like this song is about my older brother. We were inseparable growing up, and the last verse of the song especially reflects my strong memories of being best friends, and perhaps the extend rumination at the end of the song is a meditation on the things that have changed since then… not in a bad way, just the pulse of life gets quicker, things get more confusing as you grow up. Obviously this is a fairly emotional song!

I like how the demo gives a version of the song that is a bit more whimsical and a quicker tempo. It is a very different perspective

Lyrics are below:

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Reservoirs of shooting stars
fall between your eyes
hundred mile shy smile
begging you to try
Thundercloud, tall and proud
petulant and snide,
Don’t know how, even now
to say goodbye.

Wait for the truth to come,
be enthralled.
Hold your head up
Don’t resist.

Everyone will be absolved!
Hold your hands out – get a piece of it!

Everywhere, in the air
only thing I saw
Last chance, happenstance,
drawing of the straws
Maybe wow, somehow
it’ll disappear
Don’t know how, even now,
to shed a tear.

Stay up all night –
hear the words…
Finally.

Everyone will be absolved!
Hold your hands out
take it quietly.

Forgot back then
played pretend
glimmer in your eyes.
Perfect light
clear and bright
brilliantly alive.
Everywhere you would be
I would be too
Perfect sky
learned to fly
up into the Blue.

The slow movement of days, tomatoes are on the vine and are becoming ready. Basil and cilantro, peppers and arugula ready for the harvest.

I spent last week spending out letters and CDs, and this week am guilty of monitoring the results. I feel that a lot of this is like fishing. Actually its like watching the tomatoes grow. You harvest what you can, what you will, what you may.

I miss Portland, I miss all the places I haven’t lived while living here. I miss being around a lot of people doing a lot of things.

Its slightly early for Summer to end, I do believe. One must read “Dandelion Wine” by Ray Bradbury before it is over.

Stay tuned for the video for ‘Closure’, approaching completion, and, still mastering “One Sung Over”, from 1997 so keep an eye out for that.

Thanks for stopping by!

Today’s video is an art extravaganza I made from a rehearsal in my practice space. I got some new film editing software, and as part of learning to use it, I created this artful masterpiece. Features: Jellyfish, Grimaces, Walking through the desert with a beard. Very Jim Morrison there. Keep reading for more info on the images et cetera…

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The spot of the desert footage is a really cool place in Death Valley National Park. If you drive a few hours up an amazingly bumpy road (even with four wheel drive its sketch), you end up at a place called “The Racetrack”, past Teakettle Junction.

The Racetrack is a dried lake bed, which are, naturally some of the flattest surfaces on earth. In some way, however, to many a mystery, no scientific explanation has been proven, (to my knowledge), a few of the rocks and boulders are sliding across the surface, leaving trails behind them. When you are out there in the vastness of it all, and you realize how dry and desolate it is, it does seem a magickal place.

Wikipedia – “Sailing Stones”

My Flickr Pics from Death Valley

Enjoy!

This morning the wildfire’s smoke has blown down from the mountains and into our valley here in Nevada City. The sun rose red and wearily I made the coffee and the protein shake and headed out the door.
Stay tuned here this week for a couple of things:
One Sung Over, my very first album, will be available to those of you who register (create a user name, password easy, 5 seconds).
The first video off of ‘Midnight Door’ – “Closure”

Last night I put together a stack of 20 or so packages to send off to various places my music. From Sub-Pop to Filter Magazine. I’m confident that if only people give the album a listen, it will catch people’s ears.

A long weekend, spent some hours watching Shakespeare play (“The Taming Of The Shrew”), some hours working on video for closure, many hours on packages, and other hours on catching up on much needed rest.

Harvesting tomatoes from my garden, making salsa. Life is good when you do that.

Currently reading :
The Shadow of the Wind
By Carlos Ruiz Zafon
Release date: 25 January, 2005

The other night was, in California, a splendid night to catch a full lunar eclipse. The transition from full moon to a creepy red was amazing to behold. For the next part in the “Song For My Father” series I took my photos from that night, and strung them together.

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Sleepy today because last night stayed up watching the lunar eclipse. It was a gorgeous mysterious sight, and we set up the telescope to take it in, as the red glow overtook the whole moon.

I’ll put up some pictures from that this week. Also: started work on the video to “Closure”. Finishing masters of my early albums for the online offerings of those.

laying low tonight as the sun set a little earlier.

This week I put together footage from the performance last weekend, and have it up on youtube, last.fm, here, et cetera.

So its there, and it is good.

I’m visualizing my life in the coming year. Who knows where I’ll be, but I have good thoughts on what I’d like to be doing. Mainly playing/collaborating. I want to meet people who want it to happen.

A hot day and a light breeze, pomegranite juice and flax seed tortilla chips.

Time to water the plants.

Power Palooza was wonderful. The experience couldn’t have gone better… a great crowd, a nice night, good sound. I played on top of this building while various lights and movies went off, it was pretty epic. People were telling me that this giant meteor lit up the sky while I played. So, that ruled, basically.

I will be posting video of the performance, so stay tuned. I’m looking forward to playing more of Midnight Door live, it went very well. The cello all big and epic and the beats booming out of big speakers, couldn’t be better for me!

Also, I have a new video from the “Song For My Father” series. AND, my pal Eric Lee Dickerson is getting started on a video for “Closure”, track 1 on Midnight Door. We have this ambitious plan to get all 20 tracks some video action… which gets me thinking… perhaps some of you can/would like to contribute to this effort.

ALSO: last night I was digitally remastering my early early recordings. I plan to offer the albums “One Sung Over” (1997), “THIS” (1998), and “Still Dream” (1999) for FREE here on the website to folks who create a user account. So stay tuned for that as well.

Thanks for stopping by!

august is more than midway, Kate and Pete have had their birthdays, Nate’s is coming up.

Last night played the Power Palooza event on top of a roof with the green lights spinning all around and the summer night. All day in the art room practicing, and coming up with a few new songs.

Yes summer

last weekend we were on the beach, Navarro beach south of Mendocino and we watched the meteor shower with the new moon keeping the sky dark. We visited the Big River Ranch where we used to live and saw Lucky the landlord. The buildings were in ill repair, all were moving out, and it flashed in my mind to take it on as a perfect life project, trim the apple orchards, get the garden going, carve the paths out of the woods. Shangri-La.

But who is to say. Kate made peach cobbler from the peaches there, we were back in reality and spending our time on music and painting, which is the way it ought to be.

Currently reading :
The Matarese Circle
By Robert Ludlum
Release date: February, 1979

For all of you wanting to subscribe to the iTunes feed, here is the link:

iTunes Podcast

What is nice about this is that you can receive the songs/extras that I post up here automatically. I plan on producing actual podcasts as well, talking about the making of songs/albums, live performances, et cetera. Please review as well! Thanks…

This Saturday, at the Miner’s Foundry, I will be participating in an event (playing in fact, at the end, as part of a video presentation) that encourages people to see what they can actually do in their lives to positively affect the environment.

Power Palooza

I was just listening to some old/lost tracks (of which there are many) and I thought I’d put up these tracks, from a few years ago… Never made it to an album, but I like them, and it reminds me of summery-ness.

The first track – “July” was written in my cabin in Mendocino. I was just discovering the joys of not playing guitar and writing songs on cello mainly. We had a tiny little studio with floor to ceiling glass windows that looked down into the redwood forest.

The next track, “The Longest Book Ever Written” is a lot older, from Portland days, probably written in my apartment on Hawthorne Blvd., maybe after a night of working at the hostel there. People who carry around various pairs of headphones on their person may be mildly disappointed with the mix however… so be warned!

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Part 4 of my solo cello album. Again, these are tracks that I sat down and recorded for my father last week. (ps – welcome home pops!). I like this video the most so far.

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Here are the requirements for this project for me, just to sum it up in a way…
1. Yes they are improvised pieces. I took a theme in my mind and went with it wherever it went. Someday soon I will record my written pieces.
2. Since they are improvised, the artwork is off the cuff as well. It is important that it be subconscious basically.
So the video/music is just a short piece of time, put up today for you to enjoy. Thanks!

I’ve been getting into these as we prepare to make videos for “Midnight Door”. So keep an eye out for the rest of these, for the audio only versions of each track, and for those videos in the future.

Other things in the works:
exclusive rare tracks page for people who register with the website
portfolio of recorded works with other artists
access to old (very old by my standards) albums
that kind of stuff.

Thanks for stopping by!