Category: home
Spent the week rockin' out. Nice to get out of range.
Camping, Album, Life
Just got back last weekend from camping with my three brothers, three of my favorite people, at the mountain of gold. Where this video was made last year exactly around this time:
And so The Faraway was so half-assedly “released” to the world. Really it was my birthday and I was going to be gone and I had self-imposed deadlines and thus, hence, I released an album. Without thinking! Without mastering! Without caring.
But that’s fine… right?
Camping now with my girls, my dog Cinco and the ever-amazing Katy Unger. Between last weekend with my brothers and now this, it doesn’t really get better. What a crazy blessed life!
#blessed
Yeah. Well. Anyways. I thought I might do the same this year with The Faraway part 2. But I’m going to hold off until my return from the ocean and woods and just being faraway. It’s ok. I can do that, I’m indie.
I don’t want to rush it. And, truth be told I’m going to fold in the impatience of that album “release” last year with this one, and it will all be well and good in the universe. You’ll see.
So stay tuned. Hopefully I’m far enough from cell phone coverage to not be bothered with any thoughts of anything at all but guitars and walks and campfires and maybe a beer or two.
Or don’t stay tuned. Stay out of tune. Stay golden. Stay, though, please.
I promise I’ll give you music if you do.
More music.
I hope you are feeling good and able to get some good things out of your day. And that it all adds up to beautiful. Thanks for being here. I’ll see you there.
Focus
Stoked to see the great @chuckragan this fine hollywood afternoon
Interludes & In Betweens: Forge
I’m a big fan of interludes and in between moments. I’m a fan of the album vs. the single, and I think these snippets create a glue to hold the other songs together. It’s a fine line and you can kill the momentum of an album pretty easily… But I can’t help myself.
It’s also a way for me to include snippets of musical ideas that maybe don’t ever make it into a song, and the why bother there is that for me albums are more about a certain period of time being captured, rather than a bunch of songs. And those little snippets tend to coincide pretty well with the feeling of the rest of the music.
ANYWAYS.
This one is called “Forge” and it’s a throwback to my ukelele addiction I suffered through last year. I listen to a lot of EDM and somehow someday I want to marry the pulse of that music’s kick drum to an acoustic instrument. For fun and amusement. For justice and glory. And stuff.
The Point Of No Return
Working on a thing, you have this moment before it’s finished where it’s time to take stock. Same with building a bookshelf as it is making an album as it is planning an event, there’s a moment where you can begin to visualize how it all will turn out, and whether some serious reconsidering needs to be done. Is it a ton of things? Just a few details? Was something fundamentally wrong with the inception? That’s the time, and unfortunately you only get to that point after you put in that much work.
This is definitely where I’m at with my latest group of recordings/album. It’s all laid out and I’m got my hands on my hips just kind of nodding my head up and down trying to decipher it, like a crime tv detective looking at the pins on a map.
And it’s either discouraging or re-invigorating.
And I guess my point of bothering to write this moment down is that I realized just now that whether it is discouraging OR re-invigorating is YOUR choice at that point. It’s a choice.
Your bookshelf is a mess all wrong angles the screws are poking through, the shelves aren’t level. That could be it… forget it, other f it, get mad, burn the scrap wood and move on. OR recognize that fixing the fundamental flaws is not only necessary but maybe… (I’m definitely inserting my own optimism here) just maybe this is the most important part. Not the work you’ve already done. But the evaluation of it.
That’s what I’m going to tell myself at this point. And ideally make the most of this moment. Or just burn it as scrap wood. No. I don’t think I’ll do that.
life
Vines
Birds at sunset
Dream car.
Little piece of heaven #cincogram
“You Follow” Soundtrack – ‘Cello Blues For A Sad Letter’
“You Follow” Soundtrack – ‘To Be Is To Do’
Thought I’d gather all the pieces I composed for Shar, Nisha and Brad’s film “You Follow”. It’s my first official soundtrack! I’ll be unrolling them in rapid succession here on the site, via the podcast. Hope you enjoy…
New Beginnings
It’s been a while between actual posts. This blog. It’s so old. So young. For a while there I thought Facebook would be the way to go to have it all in one place. Before that myspace. But like MySpace Facebook has been eaten up by profiteers and there’s no real connection between me and the folks who like the music I’m lucky enough to make.
Tonight in Los Angeles under a few clouds and hazy moon I’m thinking about what’s next. Last year I “released” The Faraway in great haste, on my birthday, April 14. I knew it wasn’t done but I needed to push forward and also I knew it wasn’t done and kinda didn’t care. I was in the midst of a couple year’s long crisis of confidence. I needed to just say “hey I did this.”
Almost a year later I am coming out of that cozy but lame place of self doubt and have a bunch of new material, or more importantly, the inspiration to act on it. I’ve decided to rework The Faraway and re-release it (one of the perks of being indie, I can do whatever I dang feel like) and also to add a new chapter to it with another album.
It’s good, I wasn’t done, and now I can finish it.
I’m aiming for another birthday release date. I think it’ll be scruffy and delirious as an album, like how it is lately.
So gotta get to it then.
It’s good to share with you again, dear reader. I think I can get behind this ol’ website once again.
Seeing a film with my music in it for the first time
Last night joined Shar and Nisha and the whole workings of You Follow to watch the first public screening of their documentary.
The story, of an adopted woman looking for her birth mother in India, is moving, and making a few pieces for it was a really amazing experience. Especially seeing it, and hearing it, all together last night.
One of my favorite moments was running into one of the women interviewed for the film… I created some music to go with her very emotional story about finding her mom, and so I had spent hours watching her face and cue-ing musical moments to her words… It was surreal to see her in person.
Great times, great group of people, makes me realize how much I love the endless energy of Los Angeles.
And makes me realize how very much I want to continue to make music for moving pictures…
Here’s some of the music writ for it…
Broody skies
Finders keepers suckahs
#dolly #dresden
Currently
#bling #mozart #laco #thefashions #extrasafetypinincaseyouneedone
Endless hours of website design #fhole
In The Outside, Of The Nighttime
http://www.youtube.com/watch?v=TQtPSBwVVCg&feature=c4-overview&list=UUti-zJThDD2dDJWN1X8cH7Q
Two cellos racing
#hellaarty #selfie
I can't read is that an A or a Bb? #birdonawire #musicnerd
Good morning #losangeles
Flipping trough Ye ol' lyric book. #songwriting #cuttingroomfloor #timetravel
I'm pretty sure this Bruce Springsteen Live '75-'85 tape has been in this tape player for at least 18 years. #stillsoundsgood #timetravel
Remind me to buy a decent capo one of these days #janky
After the rain
Things are looking up #sunsetblvd #silverlake #whatever
Si Si Si
Making it all new
Word.
For a long while my blog re-routed to the subdomain /word… I’m putting this up to let you know that if you followed one of those older links to get to the blog, you can now just go on ahead here: lukejanela.net
Cello Piece #578
Valley Of Gold
When my girlfriend heard me play the early version of this she said “that’s pretty is that a Bruce Springsteen cover?”, which I took as a compliment. Nebraska is one of the most beautiful albums ever recorded. I didn’t intend to have the influence be so obvious, it wasn’t conscious, and also, if there is a sound I’d love to pay homage to it’s that one.
Solitary Hours Volatile Flowers, Days Lifting Weights Of Sound
A song:
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You Can Get Far – Early Version
Came across this early version of “You Can Get Far” (video from the album REDWOOD SUMMER here).
And it reminded me of when I recorded it, at Canyonlands National Park, sitting up on a cliff’s edge. As you can hear not a lot is different in the studio version, just perhaps a nicer mic and the absence of the sounds of rocks scraping underneath my shifting weight. And the view I had was incredible.
WONDERLAND /// Video Action
I truly don’t even know if we can do a video as part of the podcast, but we’re gonna try.
This video is long overdue. The ardently talented Ramon Garcia and I spent a couple days shooting footage for more than one music video idea. Honestly, the shot that takes up most of this video was one of the last ideas, taking a cheap projector lens and putting it over the lens of his super fancy camera and seeing what happened when we shot at half speed and then sped it up to normal speed in editing.
I think it’s cool the intimacy that comes out. Just a face, singing, the instrument too. A few shots are added overlaid in for the 99% of us who suffer from modern era ADD.
Though the album is more than a year old, it shall not pass! Much more to come from this and new ventures. Etc. Tell yr friends.
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After The Rain – Scratch Demo
Here’s an early version of a song I’m working on.
Last week, for Christmas I got both a new guitar and a ukelele. I was ecstatic. And immediately tried recording with them. It was nice, I was out in a little ‘casita’ a two room adobe house in the middle of some beautiful Northern California (where I’m from) vineyards. The inside was mostly tile so the sound in there was very bright and reverby.
This is what I’d call a ‘scratch’ version… The guitars are pretty good for now, though I might have to fix some issues. The vocals will be replaced. And I’d like to hear it with cello, which I’ll add soon, and maybe, just maybe some Nashville sounding drums. Good thing I know a drummer from Nashville I could call!
Lastly I may tweak the lyrics, especially the chorus, a little bit… I’m still trying to sort exactly what I’m trying to say there…
I suppose this is the first song of 2013 (kinda). Cheers to many more.
Thanks for listening…
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The End Of The World
This song is made famous by the lovely Skeeter Davis.
We made a version of it a while back, with vocals by the also lovely Katy Unger.
Stardust, part 2
Here’s an update from a song I posted a couple weeks ago. I added a cello solo in there. It was imperative to shred. I also added backup vocals toward the end. And hand claps. Always more hand claps. Also as always I prefer the original, what do you think?
Decemberest
I’ll let music do the talking for me.
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Podcast again? Let’s try it.
The podcast was my main delivery about five years ago. Then facebook happened. The thing about facebook for me now, is that it feels WAY less personal than it somehow used to.
Also, I don’t need to share ALL my random songs with ANYONE who likes my facebook page. You, my friend, are here because you are (amazingly) dedicated and I appreciate that.
So we’re going to try to get the podcast back on its feet.
Here’s a new old song. I wrote the lyrics/melody quite a while ago, and stumbled across it in my lyric book, which happens when I’m playing little mini-concerts of old material.
It’s a bit rough, but I like the way it turned out. I’m thinking of adding a little more bowed cello, and perhaps more vocals at the end there…
Echo of echo of a check in from here
As is the habit lately, sadly, this archive is rarely being updated, which is too bad for me perhaps more than for you, as it is such a good record of my music persona and all the things “that” does.
You could easily deduce that on the music front I am more a crockpot on warm than a roiling boil. Nonetheless the pilot light is lit. I have this project that feels very organic, an album that, go figure, is a return to what I’ve always done. Guitar based acoustic based songs earnest and emotional. I would like to keep the production very minimal with it. Meaning: instead of writing a song and recording the main parts, then adding and layering and tweaking from there, I’d like to have all the songs under my belt and record them in a space I’m comfortable with and that sounds good. I’m not terribly concerned with having other musicians on the album, I would LOVE that, and the more the merrier, but if I go forth with just cello, guitar, and singing, then that is great.
So yeah, the songs are mostly there. I go back and forth on the lyrics. What happens with my lyric writing generally is that I kind of spew out as stream-of-consciously as I can, as little editing as possible. This sounds easy, but for me lately it has been the hardest part. I suppose I would say that the more you TRY to “craft” your music, the more you hold a certain standard above your own head, ironically the more difficult it can be to just produce the raw materials to work with. For me at least.
So, but, ideally I’ll take that pile of lyrics and if I’m really really lucky I won’t touch a thing and I’ll make the guitar or cello parts underneath it as interesting as I can make them while still being able to perform them while singing. Usually it’s not quite that easy, and my literary editor declares that what I’ve created is nothing short of a horrible embarrassment to the history of songwriting. What it is is that I am fully aware that I am not writing heady story-telling songs, and I’m not even actually aiming for high literary achievement… I aim for honesty and I tend to believe that rock and roll is better for it, from me. In other words, the type of music I love walks the razor’s edge between profound insight and simple truth. And, unlike a lot of songwriters, I don’t allow myself to rely on pure whimsy and irreverence. This is a very, very common songwriting “technique” that I hear ALL THE TIME in indie music these days. It sometimes works. It works for everyone, apparently, but my tastes lean to actually abhorring the smug indifference of pretending not to care, or not caring. I just feel that the music that I am aiming to make is all about emotion and the transference of. I’m not saying that all music has to be uber-emotional, and obviously it can be quite terrible/embarrassing when it is. But it’s what I resonate with so it’s what I attempt to do.
Woohoo.
Anyways yes, so there is an album in the works. My songwriting is just SO SLOW lately.
It’s because I’m not playing. I’m really not playing as much in L.A. as I hoped/expected to. I just can’t seem to crack the shell of the scene or find my happy place in it. I suppose that’s the nature of the big pond. I really need to play it turns out. It’s truly what I feel I am meant to be doing. And I’m not! Yeesh. That has to change. Even if it means returning to small towns to play.
Ok, I’ve got to paint a box I made now. Yeah that’s vague but true. Tonight my lady is putting up an installation for a Twin Peaks based art show/cocktail party at The Falls in downtown Los Angeles. I made the box and stand. It’s neat.
Thanks for being amazingly loyal considering my own lack of enthusiastic input into this here weblog. Rest assured though it shall continue, and be more exciting soon!
Show: Tonight, Downtown Los Angeles
Tonight:
Luke Janela & Dan Mele
Artshare LA, Downtown Los Angeles
321 S Hewitt, Los Angeles, CA 90013
Starts at 8pm, FREE.
This one is weird and fun. I’ll be playing a lot of old songs that I haven’t touched in ages. I was intending to play new songs but just wasn’t feeling confident that I would actually remember the lyrics. So, I’m dusting off some old stand-bys and that is really interesting for me personally. Hopefully for you.
Dan is a fantastic guitar player and singer, and he’ll have a very talented mandolin player with him.
It will be fun.
I’ll see you there or I’ll just have to tell you all about it after the fact.
test 2
MIDNIGHT DOOR (Show Summary, July 17, The Airliner, Los Angeles)
Rehearsals and Potentiality
Had a good rehearsal yesterday. Me and Tripp played at Bedrock Studios over in Echo Park. A big room, horror movie posters on the wall, huge amps, and a little time. We haven’t had time to play lately and so it was good.
If you are a musician out there trying to get better, let me tell you, if you can book a gig, any gig, that is the key. Basically you are forced to get your act together, literally, and it will speed up the process of developing your material exponentially.
Also: rehearsal studios = good. Never thought I’d be a fan, but now I kind of am. It’s nice, for one thing, to get away from the house to play. It’s nice to have all the equipment set up and ready to go, and then to walk away from it. And it’s also nice to see and occasionally meet all the other musicians in your peer group coming and going from their rehearsals. You can hear them through the walls and get a feel for where other bands are at.
Opened up the book of songs we’ve been playing. Six or seven tracks off of “Tomorrow Was” that are manageable live and that are propulsive. Good to play those but wow they take a lot of energy. Playing a super fast song for three minutes is one thing. Playing a string of fast six minute songs is different. So we kind of played around with new “material”, improvised is why it’s in quotes, and it was exhilarating.
I feel certain that if we work together on a new album, making material from rehearsals and live shows, that we will be onto something really cohesive and cool. Recorded part of it too. I’m not sure that it warrants sharing per se, but you know that I’m always down to share stuff that is borderline fit to listen to. I like raw. So I’m ok with it. So yes, a show Tuesday night near downtown LA at The Airliner. Midnight Door plays at 9ish. Cover is $5. I think it will be a really fun night out, given that there are DJs and other rad bands and live painting. I’m looking forward to it.