Category: featured

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Signals

The albums are coming along. I had the pleasure of recording some drums with Molly from Huff This!. She adds such a rock sound to the tracks. It’s perfect for the feel of the album.

So here is a more rounded out version of the song I posted a few weeks ago. This is the sample of the more rock, acoustic guitars and cello based album I’m calling ‘Redwood Summer’. Enjoy!

Remember the earlier version of this song?

Here is my sample from the electro-cello album tentatively called ‘Half Moon’. It’s the stuff I’ve been playing live lately.

Here is a sample of my all cello instrumental album, as yet un-named.

Here is where the electronic-instrumental album will be coming from.

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Fever Saved Me... Let It Save You
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So I have been hell of out of the loop, removed from reality in so many ways, both living out in the woods and absolutely inundated with work. I’ve been thinking of the big posting I would put here, announcing the fantastic things going on, but just haven’t had the seconds.

The house I was staying in was outside Nevada City in Northern California, totally beautiful views of stars and wooded hillsides… it was a perfect place to get to work on the album that I’ve been wanting to do for a long long time. I call it my “old Luke” album. It’s basically like, no electronics, no avant attempts. Just simple songs, like the ones I used to rock over the hills and dales of Ukiah and Santa Cruz. And the open mics of Portland.

No concept per se, but I intend to have at most on each track the same instrumentation: cello, acoustic guitar, and vocals. I have an inkling to put drums on a couple of tracks, like the one I’m posting here, but if I do, they will be straightforward rock drums, etc.

It for me is a return to my roots: a certain Northern California sound. Not hippie, not punk, not folk, not really in between. Just who we were and are in that wooded corner of the world.

The album is tentatively titled “Redwood Summer” and is set for release April 14, 2009.

This track is called ‘Fever Saved Me’

Thanks for stopping by!

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Dec 14, 2008 
I’ve been working like mad lately and in my late night hours I’ve been burning through my music list. One of the tracks from my old band “The Key” came up and I decided I’m really proud of this whole album, especially in retrospect. Especially in retrospect because I wrote this song about the approach of the US warplanes at the beginning of the Iraq war from the point of view of an innocent kid. Maybe my age, maybe in Baghdad… I still think it fits. The sounds at the end are from a giant (80,000 plus people) anti-war rally on the eve of the war. Before that scumbag W. pulled the trigger. Listen and enjoy…

In other news, I’m super busy in life and otherwise.

This Thursday I’m playing a show in Sacramento with Aaron Ross & The Heirs Of Mystery at a new club. Go to his myspace page for more details…

After that I’m driving down to Los Angeles to do some cello recording with Huff This! They’re putting together their album and I’m super glad to be able to contribute perhaps.

In the meantime, good progress is made on the solo cello album, the new cello/beats/vocals album. Those two will probably be released at the same time, in early spring.

Yes. That is what is. Hope you’re doing well…

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Nightfall, Waterfall
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I love New York City, having had Oh So Much Experience there (I’ve spent a total of like, two weeks there). But it is super amazing. And I’ve been wanting to play this place Pete’s Candy Store for a long time. Much respect to it, a lot of my musical heroes have passed through there at one time or another.

And so, I’ll be there September 21, a Sunday evening, playing at 10:30. NYC People, come out and be there. Spread the word if you have friends there (it seems like we all do!).

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What you hear/see in this practice session is two beatboxes, one cello, effects on the cello, and the vocals. This song was writ about two months ago… part of the new batch. This is all live, just the mic on the camcorder (not the most perfect performance but you know… honest 😉

I’ve been trying to keep a fresh supply of new material up here on the site but wow it has been a busy time!

Also I’m in a period of transition, where I’m really figuring out my new sound right now: By putting this restriction that everything that goes onto the new album must be able to be done live, it has raised the bar. I now have multiple beatboxes as part of the cello/beat sound on top of that, so it’s tricky.

And it is fun to work this stuff out, I’m really excited!

Thanks for watching/listening!

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So I’ve begun work on one of my next albums, which is to be all cello, all the time. No vocals, no beats. And I shall try to resist the temptation to add piano and guitar or… whatever. Point is, a sparse album.

I usually have a motive in mind with my albums to some degree, and with this one I think that the appropriate listening experience would be something like: quietly in the summer evening. Warmly by the woodstove in the winter.

Oh yeah, I was going to post a song. So here is one approaching completion, Would Dent Sky. I cannot call this finished, but it is an encouraging beginning.

I don’t think I will be posting all the songs here as I go in this case, but keep your eye on the site, or subscribe to the podcast, I will certainly not be able to resist sharing them as they come along.

Be sure to stick around for a minute or two, as the development begins to get more layered then… Thanks for listening!

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If I Let It Go, It Would Dent The Sky
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Washington DC Boys Choir

“Be On Your Way” off Midnight Door was one of the songs that I worked on over and over again in the mixdown. I recorded it while on the road, and there was a lot that I wanted to “fix”, but there was a lot that I wanted to leave exactly as I recorded it that very first magical time.

The song was recorded in Washington DC, while we were staying in an apartment there. It was a moody place and time, and a good one, there were thunderstorms every afternoon.

Also, my guitar had just been stolen out of a campsite in Virginia Beach, which was tragic. I had that guitar for 10 years and really really loved it. So I had made the odd decision to buy a new guitar (using up my reserves for sure) because I couldn’t handle the loss, and because I couldn’t handle traveling without one.

So this song was the very first song I recorded with that guitar. In this version you hear only cello however, it was a quick mix I did, trying to ascertain whether the cello sans beats was “good” enough for the record. I like this mix, but you can hear the beats through the headphones, so it never did make it to the record.

Enjoy, and thanks for listening!

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Listen to the album version here.

PS – The picture there is the boys choir in Washington DC that I recorded and is featured in the ‘bridge’ section of the song “Fireflies” off Midnight Door.

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I originally recorded the song ‘Pinon’ off Midnight Door as a long, meandering piece. The idea was simply to open on the I chord, in C Major, and linger on the V, G7 for a good long time.

It worked better for the album for me to split it into three parts, because I really felt that this song in particular felt like the road.

Here is Piñon in its entirety… enjoy!

PS – Thanks to a listener for requesting this.

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Piñon - Full Version
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Was listening to this instrumental electronic album I had made a few years back while driving through the redwoods in Northern California this weekend. I still like it. It is good to be moving along to. I can’t wait to start another album of the same “genre”.

Here is the first track, check it dude:

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I found out, naively, that I can record with, hold the phones, TWO microphones at once. I didn’t have to buy a mixer or anything. Well, I already had what I needed.

And so, the blueprint for the cello & voice only album is laid out: two mics, live recordings.

This song was recorded as a test of my setup, the room, the mics, positions, et cetera, and I am quite happy with how it turned out. The mic on my cello is big and right, and the vocals (hint of sick still in my voice, I hate recording when I’m sick but I can’t stop myself) are the ever faithful SM57 at work.

So, preface this song with: a test. Lyrics… not quite worked out, but I will keep some of them and rework the whole thing. I wanted to give you a little something, as I have been far from the external world lately in the land of illness. But I’m back again!

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Two Of Them
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It has been a long busy and good week for me. And yet, I have not shared much music. I like the beginnings of this song, and especially I like the way that just cello and voice is going to work on the just cello and voice album I’ll be releasing this year.

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Reeds
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Last second I know, but tomorrow night I shall be playing a little cello ambient music for Kate’s art opening in Sacramento.

Practicing tonight, working it out. Here is a short sampling of what might happen… Here I am playing the cello (with my hands) and the beatbox (with my feet).

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Last Things First
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This version of Porcelain Backdrop (track 8 off of ‘Midnight Door’) is really only slightly different than the version that made it onto the album. I have to admit that the difference is very subtle. You see I had grown slightly weary of… not of the sound… but of *relying* on the dual vocals thing that I blatantly borrowed from Elliott Smith.

When Elliott Smith recorded ‘Either/Or’ and other albums, he often doubled up on his vocals… ie., he recorded the same vocals singing the same words and notes twice. For me what it did is made hushed vocals louder and more present. It also accentuates rather than avoids the very natural inclination that humans have to being not perfectly “in tune”. When the two slightly imperfect vocals cross paths, they create a very human sound, since, when two real human beings sing together, they tend to be slightly “out of tune”, and thus, they sound HUMAN. (I rant because so much music that you hear is not really people’s voices, but computer “fixed” vocals).

When I record cello for other people’s projects, I like to double up, and record two versions of the same melodies to be played at once, so that the sound of my less than computer cellos adds up to a human sounding orchestral type of thing.

So I got addicted to doing the same thing with vocals. Which is what you’ll find on the original version of Porcelain Backrop off the album. But I almost released it with only one vocal, so that you could hear the sort of rawness of the lyrics, against the very deluxe backdrop of sound.

Porcelain Backdrop was named so because… well, it kind of just stuck. I did however, record that song after returning home from my epic road trip. I was trying to write a song, which is something I never do, I usually say: “I’m inspired… NOW is the time to write a song”…. and I wanted to write about how grateful I was for finding
1. answers to some of the more simple problems facing me regarding moroseness (“I think that I can see through… the shortening of the days”),
and
2. a person who really wanted to share with me in the experience of living in the way that Kate did on our road trip. (“you saved my boat from sinking… you made my nights complete”)

Without further ado, Porcelain Backdrop as never heard before with one vocal track instead of dueling:
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Remember: Porcelain Backdrop Live
Also: Listen to the album version

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Life moves on. Last weekend I watched Tchaikovsky being played wonderfully by the S.F. Symphony, and it was really inspiring. Sat up in the front row while the conductor grimaced and ohhhed.

February is the longest shortest month. The narcissus are blooming in my kitchen now. Reading Jung. Currently listening to Refused. Cinco the dog lies on the floor patiently. Kate works on paintings.

Here is a rework of the demo song still in demo form, All Right Now.

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This is a track from way back. This is one of my first shows where I used the cello for half my set. I had my beatbox, and was playing at the Medicine Hat, this beautiful underground type spot on NE Alberta St., in Portland. It was a quiet night, like a Wednesday or so, but I remember that several of my friends were there. We probably ate at the Vita Cafe. I know that I had left my cello pickup back at my apartment on SE Hawthorne, and was frantic to make it all happen for this show.

So it was the beginnings of making the cello and beats thing work. This recording was done nicely by the sound engineer. Its an old song too, one off of “Still Dream” I believe.

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Last night’s show at Hot Rod Ink in Newcastle, CA, was amazing.

So many good people turned out to check out the newly hung art, and Alice Ann welcomed all to her tattoo shop warmly. The atmosphere was excited, and everyone was into the music as well.

Here is an excerpt from my live performance that night, playing cello and beats.

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I finally found myself a decent mic, actually two, to begin work on my new albums.

This one I got in the mail yesterday I am very happy with. Simple to set up, a Blue USB mic (Snowball) and no hum, which is the bane of my digital recording existence.

I kind of love this mic. I sat down to test the sound out last night and just sort of spewed and man, without any special setup, and without a whole lot of adjustments, recording vocals and guitar at the same time it produced an exceptionally clean and full sound.

So that plus another mic and I am good to go beginning recording.

This is a song that I improvised last night. I like to just let words roll and try and not repeat myself and sound cliche. I know that all of it makes 100% sense… but some lines surprise me and I’ll save them, re-write them. Its so much more honest, these lyrics are, for me than sitting down and straining over what clever lines to put.

I said I didn’t have to tweak the sound at all, but of course I did, I added reverb. I am addicted to reverb and I know.

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This Saturday, at the Miner’s Foundry, I will be participating in an event (playing in fact, at the end, as part of a video presentation) that encourages people to see what they can actually do in their lives to positively affect the environment.

Power Palooza

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so now you don’t even have to work to get my new music posts… feeds are at:

Word.

You can paste that link into iTunes: go to advanced, click on “Subscribe To Podcast…” and paste that link above. And from there you will get all the new music I post here. Brilliant.

Will be in other spots on the interweb as well. Thank You.
such as:
My Podcast Alley feed! {pca-0d73c6a0495535b73e13f8a4601429b3}

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I’ve been working with a few things lately, trying to make the new.

First of all I recorded an album for my dad, akin to something I did for my mom a few years back, where really, its just me sitting down with the cello and playing what happens to come out.

Second of all I took the tracks and have been putting them to video. For this first one, I asked Kate to do some drawing in the same manner, and used that as the footage.

I hope you like. It SHOULD be iPod compliant if you are into that kind of thing.

Here is the permalink, and below might be (if I can figure out the technology) a video player.

Song For My Father – Part 1

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Part 1 - Song For My Father
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