The next episode. I’ll be following up with the rest of the soundtrack in the next couple days.
The next episode. I’ll be following up with the rest of the soundtrack in the next couple days.

It’s been a while between actual posts. This blog. It’s so old. So young. For a while there I thought Facebook would be the way to go to have it all in one place. Before that myspace. But like MySpace Facebook has been eaten up by profiteers and there’s no real connection between me and the folks who like the music I’m lucky enough to make.
Tonight in Los Angeles under a few clouds and hazy moon I’m thinking about what’s next. Last year I “released” The Faraway in great haste, on my birthday, April 14. I knew it wasn’t done but I needed to push forward and also I knew it wasn’t done and kinda didn’t care. I was in the midst of a couple year’s long crisis of confidence. I needed to just say “hey I did this.”
Almost a year later I am coming out of that cozy but lame place of self doubt and have a bunch of new material, or more importantly, the inspiration to act on it. I’ve decided to rework The Faraway and re-release it (one of the perks of being indie, I can do whatever I dang feel like) and also to add a new chapter to it with another album.
It’s good, I wasn’t done, and now I can finish it.
I’m aiming for another birthday release date. I think it’ll be scruffy and delirious as an album, like how it is lately.
So gotta get to it then.
It’s good to share with you again, dear reader. I think I can get behind this ol’ website once again.

I found the music to be stunning, perfectly placed and utterly transformative in All Is Lost.

Here’s the second part of the album I made for making things to. Make whatever you want! Again what we want is ambience and a lack of drama, without aspiring to New Age.
I had a friend who had a ranch out in the hidden part of Mendocino County, and one of our past-times during an amazing Summer visit there became “rock-hopping”, where you hop down a mostly dried up creek bed, ideally reaching a state where you don’t think between leaps. For some reason this song reminded me of that.


Last night joined Shar and Nisha and the whole workings of You Follow to watch the first public screening of their documentary.
The story, of an adopted woman looking for her birth mother in India, is moving, and making a few pieces for it was a really amazing experience. Especially seeing it, and hearing it, all together last night.
One of my favorite moments was running into one of the women interviewed for the film… I created some music to go with her very emotional story about finding her mom, and so I had spent hours watching her face and cue-ing musical moments to her words… It was surreal to see her in person.
Great times, great group of people, makes me realize how much I love the endless energy of Los Angeles.
And makes me realize how very much I want to continue to make music for moving pictures…
Here’s some of the music writ for it…

I had the honor of working on the soundtrack for “You Follow”, a story about a woman who goes to find out about her past in India. The main character does a lot of searching and I composed this piece to be her (Nisha) theme. It was a fun and interesting project and I’m excited to go see the opening screening tonight(!)…

A while ago I made my girlfriend Katy an album. She has a certain playlist she’s created for painting and has talked about the perfect music for that kinda thing… meditative and non-disruptive, but interesting enough maybe to be listenable over and over. So obviously I created a polka/deep-house mashup. And that didn’t fit the bill. So I tried this.
Just a live cello performance using some looping, and a very brutish beat to pull it all along.
It’s long, and it’s a pretty good quality mp3 if you are into that sort of thing.
This is the first of three parts to that album.
A while ago I made my girlfriend Katy an album. She has a certain playlist she’s created for painting and has talked about the perfect music for that kinda thing… meditative and non-disruptive, but interesting enough maybe to be listenable over and over. So obviously I created this flugelhorn polka. And that didn’t fit the bill. So I tried this.
Just a live cello performance using some looping, and a very brutish beat to pull it all along.
For a long while my blog re-routed to the subdomain /word… I’m putting this up to let you know that if you followed one of those older links to get to the blog, you can now just go on ahead here: lukejanela.net
When my girlfriend heard me play the early version of this she said “that’s pretty is that a Bruce Springsteen cover?”, which I took as a compliment. Nebraska is one of the most beautiful albums ever recorded. I didn’t intend to have the influence be so obvious, it wasn’t conscious, and also, if there is a sound I’d love to pay homage to it’s that one.
I realized just this afternoon that I’m basically almost done with my latest album. Kind of by accident. Right now it’s clocking in at 11 songs with three interludes in about an hour. The best part is that I’m having to narrow it down from roughly 25 or so songs, meaning I’ve got a lot of material to work with going forward.
The goal is to have the album in your hands by my birthday, April 14. Goals are cool.
A song:
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Came across this early version of “You Can Get Far” (video from the album REDWOOD SUMMER here).
And it reminded me of when I recorded it, at Canyonlands National Park, sitting up on a cliff’s edge. As you can hear not a lot is different in the studio version, just perhaps a nicer mic and the absence of the sounds of rocks scraping underneath my shifting weight. And the view I had was incredible.
I truly don’t even know if we can do a video as part of the podcast, but we’re gonna try.
This video is long overdue. The ardently talented Ramon Garcia and I spent a couple days shooting footage for more than one music video idea. Honestly, the shot that takes up most of this video was one of the last ideas, taking a cheap projector lens and putting it over the lens of his super fancy camera and seeing what happened when we shot at half speed and then sped it up to normal speed in editing.
I think it’s cool the intimacy that comes out. Just a face, singing, the instrument too. A few shots are added overlaid in for the 99% of us who suffer from modern era ADD.
Though the album is more than a year old, it shall not pass! Much more to come from this and new ventures. Etc. Tell yr friends.
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Here’s an early version of a song I’m working on.
Last week, for Christmas I got both a new guitar and a ukelele. I was ecstatic. And immediately tried recording with them. It was nice, I was out in a little ‘casita’ a two room adobe house in the middle of some beautiful Northern California (where I’m from) vineyards. The inside was mostly tile so the sound in there was very bright and reverby.
This is what I’d call a ‘scratch’ version… The guitars are pretty good for now, though I might have to fix some issues. The vocals will be replaced. And I’d like to hear it with cello, which I’ll add soon, and maybe, just maybe some Nashville sounding drums. Good thing I know a drummer from Nashville I could call!
Lastly I may tweak the lyrics, especially the chorus, a little bit… I’m still trying to sort exactly what I’m trying to say there…
I suppose this is the first song of 2013 (kinda). Cheers to many more.
Thanks for listening…
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This song is made famous by the lovely Skeeter Davis.
We made a version of it a while back, with vocals by the also lovely Katy Unger.
Here’s an update from a song I posted a couple weeks ago. I added a cello solo in there. It was imperative to shred. I also added backup vocals toward the end. And hand claps. Always more hand claps. Also as always I prefer the original, what do you think?
I’ll let music do the talking for me.
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The podcast was my main delivery about five years ago. Then facebook happened. The thing about facebook for me now, is that it feels WAY less personal than it somehow used to.
Also, I don’t need to share ALL my random songs with ANYONE who likes my facebook page. You, my friend, are here because you are (amazingly) dedicated and I appreciate that.
So we’re going to try to get the podcast back on its feet.
Here’s a new old song. I wrote the lyrics/melody quite a while ago, and stumbled across it in my lyric book, which happens when I’m playing little mini-concerts of old material.
It’s a bit rough, but I like the way it turned out. I’m thinking of adding a little more bowed cello, and perhaps more vocals at the end there…
As is the habit lately, sadly, this archive is rarely being updated, which is too bad for me perhaps more than for you, as it is such a good record of my music persona and all the things “that” does.
You could easily deduce that on the music front I am more a crockpot on warm than a roiling boil. Nonetheless the pilot light is lit. I have this project that feels very organic, an album that, go figure, is a return to what I’ve always done. Guitar based acoustic based songs earnest and emotional. I would like to keep the production very minimal with it. Meaning: instead of writing a song and recording the main parts, then adding and layering and tweaking from there, I’d like to have all the songs under my belt and record them in a space I’m comfortable with and that sounds good. I’m not terribly concerned with having other musicians on the album, I would LOVE that, and the more the merrier, but if I go forth with just cello, guitar, and singing, then that is great.
So yeah, the songs are mostly there. I go back and forth on the lyrics. What happens with my lyric writing generally is that I kind of spew out as stream-of-consciously as I can, as little editing as possible. This sounds easy, but for me lately it has been the hardest part. I suppose I would say that the more you TRY to “craft” your music, the more you hold a certain standard above your own head, ironically the more difficult it can be to just produce the raw materials to work with. For me at least.
So, but, ideally I’ll take that pile of lyrics and if I’m really really lucky I won’t touch a thing and I’ll make the guitar or cello parts underneath it as interesting as I can make them while still being able to perform them while singing. Usually it’s not quite that easy, and my literary editor declares that what I’ve created is nothing short of a horrible embarrassment to the history of songwriting. What it is is that I am fully aware that I am not writing heady story-telling songs, and I’m not even actually aiming for high literary achievement… I aim for honesty and I tend to believe that rock and roll is better for it, from me. In other words, the type of music I love walks the razor’s edge between profound insight and simple truth. And, unlike a lot of songwriters, I don’t allow myself to rely on pure whimsy and irreverence. This is a very, very common songwriting “technique” that I hear ALL THE TIME in indie music these days. It sometimes works. It works for everyone, apparently, but my tastes lean to actually abhorring the smug indifference of pretending not to care, or not caring. I just feel that the music that I am aiming to make is all about emotion and the transference of. I’m not saying that all music has to be uber-emotional, and obviously it can be quite terrible/embarrassing when it is. But it’s what I resonate with so it’s what I attempt to do.
Woohoo.
Anyways yes, so there is an album in the works. My songwriting is just SO SLOW lately.
It’s because I’m not playing. I’m really not playing as much in L.A. as I hoped/expected to. I just can’t seem to crack the shell of the scene or find my happy place in it. I suppose that’s the nature of the big pond. I really need to play it turns out. It’s truly what I feel I am meant to be doing. And I’m not! Yeesh. That has to change. Even if it means returning to small towns to play.
Ok, I’ve got to paint a box I made now. Yeah that’s vague but true. Tonight my lady is putting up an installation for a Twin Peaks based art show/cocktail party at The Falls in downtown Los Angeles. I made the box and stand. It’s neat.
Thanks for being amazingly loyal considering my own lack of enthusiastic input into this here weblog. Rest assured though it shall continue, and be more exciting soon!
Tonight:
Luke Janela & Dan Mele
Artshare LA, Downtown Los Angeles
321 S Hewitt, Los Angeles, CA 90013
Starts at 8pm, FREE.
This one is weird and fun. I’ll be playing a lot of old songs that I haven’t touched in ages. I was intending to play new songs but just wasn’t feeling confident that I would actually remember the lyrics. So, I’m dusting off some old stand-bys and that is really interesting for me personally. Hopefully for you.
Dan is a fantastic guitar player and singer, and he’ll have a very talented mandolin player with him.
It will be fun.
I’ll see you there or I’ll just have to tell you all about it after the fact.
Had a good rehearsal yesterday. Me and Tripp played at Bedrock Studios over in Echo Park. A big room, horror movie posters on the wall, huge amps, and a little time. We haven’t had time to play lately and so it was good.
If you are a musician out there trying to get better, let me tell you, if you can book a gig, any gig, that is the key. Basically you are forced to get your act together, literally, and it will speed up the process of developing your material exponentially.
Also: rehearsal studios = good. Never thought I’d be a fan, but now I kind of am. It’s nice, for one thing, to get away from the house to play. It’s nice to have all the equipment set up and ready to go, and then to walk away from it. And it’s also nice to see and occasionally meet all the other musicians in your peer group coming and going from their rehearsals. You can hear them through the walls and get a feel for where other bands are at.
Opened up the book of songs we’ve been playing. Six or seven tracks off of “Tomorrow Was” that are manageable live and that are propulsive. Good to play those but wow they take a lot of energy. Playing a super fast song for three minutes is one thing. Playing a string of fast six minute songs is different. So we kind of played around with new “material”, improvised is why it’s in quotes, and it was exhilarating.
I feel certain that if we work together on a new album, making material from rehearsals and live shows, that we will be onto something really cohesive and cool. Recorded part of it too. I’m not sure that it warrants sharing per se, but you know that I’m always down to share stuff that is borderline fit to listen to. I like raw. So I’m ok with it. So yes, a show Tuesday night near downtown LA at The Airliner. Midnight Door plays at 9ish. Cover is $5. I think it will be a really fun night out, given that there are DJs and other rad bands and live painting. I’m looking forward to it.
MIDNIGHT DOOR (Shooting scenes for what could be a music video…).
So, yesterday I went out with the sharp eyed keen minded Ramon Garcia to shoot some scenes. He originally had the idea of shooting potentially illegally (we don’t really know) down in the subway and we did it guerilla style and his shots turned out great. So yesterday we did more of the same, a little bit of filming at the caves up in Griffith Park. It was funny, another film crew, much more professional and moneyed was already there. We just acted like we knew what we were doing and, oddly, had the cave to ourselves for a good 20 minutes. We shall see how the shots turn out, but it’s refreshing and fun to just come up with ideas on the fly and make them happen like that. And it’s nice to work with Ramon. He’s cool.